by: Mark Stoll on August 9th, 2015 | Comments Off
We Americans love grand, gorgeous landscapes of natural scenery. Landscape photographers and painters produce a never-ending stream of pictures of Edenic beauty. We buy images by Ansel Adams — such as this famous view of the Grand Tetons and the Snake River — by the hundreds of thousands, in coffee-table books, calendars, datebooks, posters, and framed reproductions. In magazines, calendars, and publicity materials, environmental organizations use photographs by him and many others.
Most of this art shows the timeless ethereal beauty of nature. It also lacks or minimizes the presence of people. Not everyone likes this sort of thing. New York critics had little positive to say about Adams’s art for most of his career. Landscape art of most cultures in fact include and even highlight humans and their works. Rarely do the credit lines for contemporary landscape art contain names from southern or eastern Europe, Latin America, Africa, or Asia.