The MillionYear Picnic and Other Stories

Due substantially to Kurtzman and Albert Feldstein but also to Gaines’ shrewd instincts, the “EC” line emerged with a vitality that no one could have anticipated. The comic art itself exceeded existing standards, often by a dramatic margin. The stories produced across several genres had dramatically superior scriptwriting as well as art, sometimes (as in historical comics) reflecting scrupulous research of a kind otherwise unknown to the stereotype-throwing comics world.

Humor From Tikkun

Trump reportedly told House members he’ll mobilize the same 3 to 5 million illegal voters that deprived him of a popular majority in the general election to vote against dissenters from the proposed bill.

Humor From Tikkun

Wikileaks (or perhaps, electronic espionage experts acting on behalf of the “Deep State” that subtly, covertly directs the course of governance in the U.S.) recently hacked into Trump’s TV feed, seamlessly substituting audio streams from PBS, NPR, MSNBC and Al Jazeera America into what he’s viewing, while the images remain those of the likes of Steve Doocy, Dana Perino, Wolf Blitzer, Ann Coulter—and even Nancy Grace.

Hands Up, Herbie!: Bugsy Siegel and Uncle Shmatik

This is an excerpt from the comic book, Hands Up,Herbie!, by Joey Perr. A unique documentary work drawn from an oral history of Herb Perr, art teacher and art activist, it also offers a Jewish family history less outside the norm than younger Tikkun readers might expect.

Mary Tyler Moore, the Hollywood Reds, and the Rise of Social Television

I was not watching much television at the high point of The Mary Tyler Moore Show, but I should have suspected something when some of my good friends, TV watchers and veterans of the Women’s Liberation Movement, mourned its passing in 1977 and perhaps even more, the early cancellation of the spin-off, Rhoda, a seemingly Jewish career woman’s saga, a year later.

Pedagogies of Freedom

On New Year’s Day, at home and abroad, Haitians and Haitiphiles are all about soup joumou. A squash based consommé laboriously made with chunks of beef, cabbage, carrots, potatoes, some kind of pasta, seasoned with epis-that concoction of Haitian spices, which was hopefully brought to perfection by an expert who uses enough scotch bonnet pepper without overshadowing the fragrant aroma. This soup is traditionally consumed to commemorate Jean-Jacques Dessalines’ proclamation of Haitian independence from France on January 1, 1804. Thirteen years after the only successful slave revolution started that abolished colonialism and slavery, Haiti became the first Black Republic in the world, second only to the United States. For many of us, the soup is as much about its gastronomic delight as it is about redressing history.

Oh Canada! Our Friends Need Help

With mind-boggling Cabinet appoints clogging the headlines, there’s barely been time to consider what impact a Trump administration might have on arts and culture in the U.S. But something is brewing to the north that suggests that regardless of who heads the government, the well-being of artists who work for positive social change is at risk. Our friends in Canada need help. Please read on and respond. Last spring, Canadian arts groups were optimistic if cautious about newly elected Prime Minister Justin Trudeau’s promise to invest nearly $1.9 CAD in arts and culture funding, doubling the budget of the Canada Council for the Arts (the equivalent of the U.S. National Endowment for the Arts, but much larger). The Council’s current budget is about $139 million USD, and by 2021, it will double.