The Art of Revolution: Spoken Word, Video, and Performance Art to Change the World – Jen Capraru and ISOKO (Rwanda)
by: Jill Goldberg on September 14th, 2011 | 3 Comments »
Speaking to Jennifer Herszman Capraru in Toronto, Canada, it is impossible not to be warmed by her passion for the work she does and the people it brings her close to. Born in Montréal, Québec, Capraru is the daughter of a mother who was a child survivor of the Holocaust, and a Romanian father, both of whom emphasized the importance of human rights and provided Capraru with the gift of creativity that she exercises with such love and intelligence today.
As an adult, Capraru received an MA in Theatre Studies from York University and also trained as a director in Germany; it has been through the medium of theatre and directing that she has always seen the opportunity to create a whole world – a world where real change could transpire. In her role as Artistic Director of the award-winning Theatre Asylum in Toronto, Capraru premieres thought-provoking plays by and about women and humanist issues. In 2006, Capraru was asked to be 2nd Script Supervisor on the Canadian feature film Shake Hands with the Devil about the experiences of Lieutenant General Roméo Dallaire during his tenure as UN Force Commander during the Rwandan Genocide of 1994. As Capraru explains, she went to Rwanda at the last minute, and without expectations, but following her work on the film, she found herself prompted to accept an invitation to give script development workshops for the Rwanda Cinema Centre. One connection led to another, and Capraru tumbled into directing for the National University of Rwanda, UNICEF, Kivu Writers and Mashirika arts. In Rwanda, years after the genocide, Capraru saw fertile ground for creativity and for transformation. There, alongside her Rwandan colleagues, she founded ISÔKO, The Theatre Source, a theatre company that blossomed from an inspired seedling of an idea to a full-fledged theatre company that tours, performs in three languages, and has has been the origin of many lengthy discussions on subjects such as genocide and loss as well as transformation and healing. In the Rwandan context, Capraru eloquently describes her view of “theatre as ritual, ritual as catharsis, catharsis as healing, and healing as hope”.


















