by: Warren Blumenfeld on July 23rd, 2014 | No Comments »
During this summer, I have had some time to catch up on some pleasurable reading and, I must admit, binge watching of three TV series.
“The Borgias,” an Italian Renaissance-era Showtime series, in which the Spanish-born Cardinal Rodrigo Lanzol y de Borja (Italianized “Borgia”), through ruthless ambition, deceit, and criminal activity, rises to the Papacy as Alexander VI on August 11, 1492 until his death on August 18, 1503. At the time of his ascension, he was married with a number of children. After becoming Pope, he continued having sexual relations with his collection of mistresses, and he eventually elevated his offspring to high posts.
The HBO series “Game of Thrones,” located within what could be considered as a Renaissance timeframe in terms of technological development, weaponry, and garment styles in the backdrop of the fictional continents of Westeros and Essos toward the conclusion of a decade-long summer, meshes a number of plot lines, most notably ones in which members of numerous noble houses engage in civil war for the Iron Throne of the Seven Kingdoms. The series investigates issues of power, social hierarchy, religion and spirituality, loyalty and betrayal, virtue and corruption, war and rebellion, crime, murder, and punishment.
“Elizabeth I,” a two-part TV miniseries appearing originally on British Channel 4, staring Helen Mirren, covers the final 24 years of Queen Elizabeth I in her nearly 45-year reign as Queer regent of England and Ireland (November 17, 1558 – March 24, 1603). Elizabeth’s time on the throne covered a period of enormous tensions and transitions as governments consolidated power through plots and conspiracies, alliances, war, and confiscation of territories. It was also a period of great religious upheavals.