Culture

Murmuration & Occupation – Why We Shut Down the Ports

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On Monday morning I awoke before dawn and somehow managed to crawl out of bed, fumble my jeans and boots on, and sling my drum and backpack – the one that has become the indefinite home for my first aid kit, a patchwork bag of herbal tinctures, a squirt bottle half-full of milk of magnesia, a bottle of bubbles, and some lavender essential oil – over my shoulder. As I checked my back pocket one more time for my ID and locked the back door, the clock on the microwave read 5:08 AM. By 5:39 AM, I was snaking through the dark streets of West Oakland in what seemed to me to be a much-too-small crowd, mostly quiet except the occasional heartbeat of a lone drum or the sleepy but hopeful cheer that rose up as we passed under the overpass of Mandela Parkway. It was somehow comforting to hear our own voices echoing off the walls – it helped us remember our power. You better believe I was asking myself the same questions that CNN, the Huffington Post, the BBC, and Mayor Quan had that morning: Why on earth are we doing this?

Earth-based Religions

Spring…and Death: More Questions than Answers

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After a long, cold, and icy winter, it’s spring here in Boston. The light has changed, making the sky somehow lighter and further away; if you find a spot out of the wind you might actually feel some real warmth from the sun; and in my neighbor’s miniscule front garden a band of hardy crocuses (croci?) have adorned themselves with purple buds. The birds didn’t have to be told twice, and they are singing, tweeting, cawing, and flying around with new home building and speed dating on their minds. Spring is change, new life, excitement. Taking off the heavy leather, the bulky down, searching the ads for some new running shoes.

art

God, Seed: Poetry and Art About the Natural World

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by Rebecca Foust and Lorna Stevens

It was in San Rafael, in a tiny subterranean artist studio with walls of thickly plastered brick that I made my acquaintance with New Zealand’s huia bird, meeting it in my friend Lorna’s intricate twig sculptures and an altered artist’s book whose pages had been painstakingly excised, erased, and inked with images of haunting delicacy. I learned how the bills of males and females (his squat cudgel for shredding bark, her curved needle for finding insects) had evolved so as to make them mutually dependent mates-for-life. I also learned that the huia had recently become utterly, unalterably extinct, so that not only would I never see it with my own eyes, but neither would my children, nor my children’s children, nor their children and so on and on down the long, bitter corridors of never. As Lorna showed me photos of what now remains of this remarkable creature–stuffed specimens, Victorian hats and brooches fashioned with plumes and beaks–I felt a terrible sadness. But I also marveled at how Lorna had managed through her art to recall the bird in a way that its relics, stored in their musty museum cases, could not.

Culture

The State of Our Stuff

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Our union’s present way of life is not sustainable: the miles of cavernous malls full of stuff (made elsewhere) staffed by underpaid workers who can’t afford to buy much stuff. Why then is our goal to make more stuff, so that we can cling to our slipping superpower status?

art

What can we learn from the world’s oldest art?

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For Alex Shaland’s accompanying photographs of South African rock paintings by the indigenous San people on our art gallery – click here. Secrets Hidden in the Rocks: The Spirituality of the South African Pre-Historic Paintings
by Irene Shaland

Rocks as canvas: the world’s largest open art gallery
A few hours of scenic driving from bustling Cape Town (and seventeen endless hours of flight from the US) will transport you into an other-worldly realm: the South African Cederberg Mountains, a massive rock wilderness where wind and rain have sculpted giant sandstone boulders, piled one upon the other, into bizarre shapes and towering surreal creations in every shade of rust red, brown, yellow, orange and white. The Cederberg is the canvas for some of the oldest and most spiritual art ever created, and the mountains – home to the highest number of painted images per square kilometer – are one of the richest areas of rock art in South Africa – indeed the world. And, unlike France or Spain, where the well-known Stone Age paintings of the Lascaux and Altamira caves are located, in South Africa deep caverns are rare, so most paintings are in small shelters or rock overhangs. This means that most South African paintings are easily viewed, but they have also been exposed to merciless sun and rain for many centuries.

Christianity

Requiem for a Holy Tree

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The veneration of trees pre-dates Christianity and no doubt all organized world religions. The tree is a source of life, offering shelter, food, habitat, fuel, soil preservation and enrichment—not to mention breathable air.

Culture

The Use and Misuse of Names

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I intuitively feel that these experiences, mystical but also sensual and embodied, are the core of spirituality and the foundation that religions build their vast tottering edifices upon: these experiences that work for us, that we then work hard to name and explicate in full logical or fantastically elaborated detail. Naming is not only important but unavoidable … but once the naming develops into major exclusionary truth claims, … and once these get identified with the worldly power involved in religious organization then all the power of the experience gets harnessed to the groupthink and the powerplays (exclusions, repressions and crusades) and we have the worst of religion. Dave Belden in response to How I Became a Pagan

Reading Dave’s comment, I was reminded of Deepak Chopra’s saying “God gave humans the truth, and the devil came and he said, ‘Let’s give it a name and call it religion.'” There is an inescapable tension between experience and the words we use to describe that experience, which cannot help but remove us from the experience itself.