by: Mark Kirschbaum on February 21st, 2013 | 9 Comments »
1. Dawn of a New Age- The Book of Esther
I will admit that I’ve always had a certain hesitation when it came to Purim. It wasn’t that I was so influenced by Bible criticism or historical scholarship, it was my own sense that the Book of Esther, the focus of the holiday of Purim, read more like a novel than a book of prophecy. It is probably for this reason that if you ask many people which came first, Hanukka or Purim, they would say that Purim was later- there is something more modern about Purim and the Megilla than about the Hanukka story. The Hanukka story feels more biblical than does the Esther story for a number of reasons- it takes place in the land of Israel, there’s a Temple with sacrifices and ritual purity, but most of all, there’s a miracle at the core of the story, whereas with Purim, there is no miracle, it takes place in exile, the Jews are a persecuted minority, and a lot of political intrigue is involved. So, despite its being hundreds of years earlier, the Purim story feels more modern, more contemporary. More importantly, the book of Esther, the “megilla”, reads more like a novel than any other sacred Hebrew text, though it is included among the books of the “bible”. I would like to argue now that this novelistic quality, seemingly a detraction from the sanctity of the holiday, may be, in fact, literally, its redeeming quality.
This literary quality of the book of Esther is not a modern discovery; it is already a problematic in the Talmud. Recorded in BT Megila 7., is an argument as to whether the book of Esther is sacred enough to ritually impurify direct contact (the special state of holy books is preserved by necessitating ritual handwashing in any contact) as are other recognized books collected as Torah. Interestingly, it is exactly the novelistic qualities of the work that salvage its sacred status:
We have learned: R. Elazar states that “Esther” was written with the Divine Spirit, as it says “And Haman said in his heart”. Rabbi Akiva says that it was written with the Divine Spirit, as it says “And Esther found favor in all who looked upon her”…Shmuel says, I have the best argument- as the text states “the Jews accepted and took upon themselves”, meaning they kept above what they accepted below (Megila 7.)
All of these proofs of divine inspiration are based upon what is traditionally recognized as a literary technique, the imputation of what someone must have been thinking, what the reaction of characters must have been in a given situation. Rashi explains that the reaction of a critical reader to these passages could be “who says?” in which case either the book is a work of fiction or the information comes from a divine source of inspiration. What is critical to our argument is that one could better argue the sanctity of the text from its message, or the ritual practices described, but instead, the central argument for its sanctity are exactly the loci which a textual scholar would use to disparage the texts divinity and point to its literary evolution.