by: Jill Goldberg on August 9th, 2013 | 1 Comment »
Like many artists, Montreal writer and multidisciplinary artist, Taien Ng-Chan sees her work as an opportunity to interrogate the world around us, to reach the public, and to work towards a more progressive society. Although she questions whether or not art can actually make an impact in our collective cultural consciousness, or change anything politically, she’s willing to try. As she says, “looking back, historical art movements do seem to end up gaining traction in ways that seem important in hindsight, so we’d better keep doing it, just in case.”
Indeed, Ng-Chan was part of last year’s massive student uprising in Québec, a movement that saw thousands mobilize–first in response to the provincial government’s plan to raise tuition at post-secondary institutions, and then in response to the same government’s oppressive strategies to keep the protests under control. Ultimately what happened in what was called “le printemps érable,” or the “maple spring” (in keeping with the name the Arab Spring), resulted in a provincial election that brought down Québec’s Liberal government. At first it seemed like the incoming Parti Québécois would bring new hope; instead they wore the red square – symbol of the student movement – and at first cancelled the tuition hikes, but they also cut the province’s education budget, and then ended up imposing tuition hikes anyway. Ng-Chan comments that it’s easy to grow cynical when politicians can be so duplicitous; however, she also suggests that it’s important to keep building community to affect change in small ways, and art is just another way to accomplish this.