by: Arlene Goldbard on June 23rd, 2014 | Comments Off
An enduring pattern has been inscribed on the struggle for cultural equity in this country. Those who get the biggest share of funding – them that’s got, as Billie Holiday put it – pay lip-service to fairness for those who get crumbs – them that’s not. But lip-service is generally the only currency they are willing to shell out. The haves counsel patience: Show up as members of the team, they say. Be part of the united front at budget hearings, go along with our program, and you’ll get your reward by and by.
In San Francisco, people are tired of waiting. In March, the Budget Analyst’s Office released a study on allocations by Grants for the Arts (funded from San Francisco’s hotel tax revenues) to diverse arts organizations – those serving primarily people of color, ethnic minorities, women, and LGBTQ people. The findings show that the proportion of funding to these groups has remained steady for 25 years. For example, an average of 23 percent of the pie has gone to people of color (who now make up 58 percent of the city’s population, a figure that has been rising steadily since Grants for the Arts was first created), and 77 percent to largely white organizations.