I love reading emails from the GoddessScholars list serve. This group of women includes some of the most knowledgeable people in the world when it comes to the divine feminine. The core members — out of several hundred women — are scholars, but the e-list contains artists, musicians, story-tellers, and ritualists as well. Reading their posts, I discover what’s new in the “Goddess Sphere.” I discover where the current controversies lie. And sometimes I discover just how ignorant much of the rest of the world is about this area that’s intensely meaningful to me.

A few months ago the controversies surrounded whether or not new archaeological finds were Goddess figures or not. Then it was on to the Catholic parish worker here in Wisconsin who was fired for her feminist views. After that it was the fact that Marija Gimbutas’s work has been hidden from view, even in events seemingly spawned by her research. And the latest battle seems to concern the very center of our connection with each other — the sacred feminine.

This latest brou-ha-ha began when one member wrote about a friend who was completing her M.A. in Art History. The friend wanted to concentrate on Botticelli’s representation of a variety of Goddesses. But when she approached her advisor, he told her that the sacred feminine was NOT a scholarly topic, but instead a term Dan Brown made up to sell The Da Vinci Code. Whoa! I think every woman on our e-list felt personally assaulted by this unbelievable statement.

We’ve been studying, celebrating, painting, telling stories, ritualizing, and singing songs about the sacred feminine for over 30 years, many on this list — including myself — for that entire time. My response was immediate and critical:

I find it incredibly disrespectful of all women (whether or not they consider the Goddesses to be a part of their spiritual path) to say that “the sacred feminine is NOT a scholarly topic.” The professor in question shows his ignorance by attributing this term to Dan Brown. I would ask: How can someone be an Art History professor and make such an uninformed statement? Whew!

The list was alive with comments after that. Max Dashu, an independent scholar who may have the largest slide collection of Goddess statues in the world, replied that this professor was ignoring the evidence of his own discipline, pointing out the obvious (at least to someone who knows a little about art history):

Botticelli, like other Renaissance artists, was reclaiming the art of classical paganism, thus the Birth of Venus, Primavera, and other Goddesses.

She went on to say that this was an example of the invisibilizing of women.

Dan Brown…appropriated the concept of the sacred feminine from the women who have been researching, speaking, writing, and working on this issue, [and] now this term belongs to him?!… What I find ironic is that this phrase has gained in popularity because so many people shied away from using “Goddess,” [a term] still heavily stigmatized in this society, most of all in academia.

Marguerite Rigoglioso, Ph.D., another well-respected scholar, replied in greater depth. As a member of the faculties of Dominican University of California, the California Institute of Integral Studies, and the Institute of Transpersonal Psychology, where she teaches courses on women and religion, her answer included some of the names of women and publications who have added to the research on the “sacred feminine”:

That the “sacred feminine” is indeed a scholarly topic is attested by the scores of scholarly articles and books written on the concept and its many facets and derivative subjects over the past three decades. One might investigate, for example, the works of Mary Daly, Carol Christ, Charlene Spretnak, Lucia Chiavola Birnbaum, Miriam Robbins Dexter, Joan Marler, Elinor Gadon, Mara Keller, Dianne Jenett, Vicki Noble, Kristy Coleman, Heide Göttner-Abendroth, and numerous other established and emerging scholars. Among such scholars, the term is either used or implied, often being substituted by “divine feminine,” “female divine,” “sacred female,” “goddess,” and other words. The Journal of Feminist Studies in Religion, published by the Harvard Divinity School, and Feminist Theology are two among many journals that have published articles on these concepts and topics for decades.

Even within the halls of academe and within the academy’s prestigious scholarly organizations, the “sacred feminine” has found a home. Courses in this area have been offered at universities and colleges all over the world. And Marguerite affirms that the American Academy of Religion Western Region now includes a “Goddess Studies” section, and the “sacred feminine” is also the focus of two graduate programs in women’s spirituality, one at the California Institute of Integral Studies (MA and PhD), and one at the Institute of Transpersonal Psychology in Palo Alto, CA (MA). She adds that the concept has been the focus of numerous international academic conferences over the years.

I think Sid Reger , one of the founding mothers ofthe GoddessScholars list, summed it up for all of us:

We on this list know how long and how hard we have fought to gain legitimacy for the excellent work of academic and independent scholars…And I for one get really tired of having to state the obvious, once more, for the benefit of the unenlightened.

Sid went on to say that “the two-sentence summation of bias” that started out this email thread

reminds me of why I have knocked myself out to get our “sister” organization up and running. The purpose of the Association for the Study of Women and Mythology is to provide Goddess scholars with a solid and recognizable presence to the …world.

Legitimizing our work and fighting back against those forces that stifle our scholarship — now that’s a positive response to bigotry!


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