The Poetry of a Jewish Humanist

Swimming in the Rain: New and Selected Poems 1980-2015
by Chana Bloch
Autumn House Press, 2015

A child of immigrant parents who was raised in an observant Jewish household, poet Chana Bloch has absorbed the details of her ethnic and linguistic heritage; this includes what she has called “the habit of questioning,” which is “not only sanctioned by Jewish tradition, it’s an honored part of it.” As a poet, biblical scholar, and translator of ancient and modern Hebrew poetry, she has followed her teacher Robert Lowell’s advice to “learn to write from [her] own translations.”

Swimming in the Rain: New and Selected Poems demonstrates that Bloch has converted that important lesson into a unique poetic voice that modulates from the homespun to the literary and shifts from wit and humor to a pull-no-punches toughness. Spare and musical, intimate while open to history, intelligent and emotionally rich in the details of divisions and connections, Bloch’s poetry negotiates the complexities of her identity as a first-generation Jew, a woman, a child, a parent, a wife, a lover, and a citizen.

A self-proclaimed “Jewish humanist,” Bloch quarrels with tradition by asking why God has to make divisions. Some of the divisions she writes about include those between husband and wife, parents and children, illness and health, historical memory and momentary joy, and the contradictions within Judaism itself. Bloch critiques these divisions and, when she finds them, offers alternatives that are more inclusive and more humanistic. The advantage of a career-spanning collection is that it shows how these themes echo and expand consistently within her work. In “Furniture,” from her first collection, The Secrets of the Tribe (1980), the speaker’s mother claims that “God will punish” her if [she writes] “on Shabbos.” The speaker responds: “When I wrote, I pulled down the shade.” A later poem, “The Dark of Day,” from Blood Honey (2009), is more explicit:

The rabbis taught us the mathematics of dividing
this from that. They certified
the micro-moment when day tips over
into night: When the third star presents itself in the sky.
They drew a line through that eye of light, a longitude.
You’ve got to navigate the evening blessing
with precision, not one star too soon.

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How to Read the Rest of This Article

The text above was just an excerpt. The web versions of our print articles are now hosted by Duke University Press, Tikkun‘s publisher. Click here to read an HTML version of the article. Click here to read a PDF version of the article.

For a free, online-only sample of Chana Bloch’s poetry, click here.

(To return to the Summer 2015 Table of Contents, click here.)

Philip Terman’s recent book is Our Portion: New and Selected Poems. His poems have appeared in Poetry, The Kenyon Review, The Georgia Review, and The Sun Magazine. He teaches at Clarion University and is codirector of the Chautauqua Writers Festival.
 

Source Citation

Terman, Philip. 2015. The Poetry of a Jewish Humanist. Tikkun 30(3): 56.

tags: Culture, Judaism, Poetry, Reviews   
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